Imminent Death.

Regardless of the fact that he states it himself in the voiceover narration not five minutes into the film, we know Lester Burnham will die. So the only reason we hang on is to find out who kills him. It is not, as could perhaps be expected from the sedated lifestyle he occupies, himself. It is not his cheating wife who discovers the release of firing a gun and drives home with it placed conveniently by her side. And it is not his daughter who, in the opening frames, looks into the camera and asks for his death. As a matter of fact, it is his closet-homosexual ex-military neighbor who believes Lester to be having an affair with his drug-dealing son. Lester’s death is imminent. But it is not, as is readily suggested, the moment when his brains splatter over his white kitchen walls.

Lester died an indefinite amount of time earlier. We meet him as he stumbles, in job, marriage, and life. But more importantly, we also meet him when our shared ideologies stumble. The perfect American Family with a projected image of prosperity, success, and happiness is an empty promise. The idea that one man can build his life, be master of his own success, and age into happiness is shattered. Lester had quite likely done so. And so what? Years later this very lifestyle of materialism and consumption and working to provide had its hold on him and would not let go. He tried to escape it by reverting to the mentality of his youth. He tried to challenge expectations by working down the occupational ladder from writer to burger-flipper. He also tried to satisfy himself by pursuing the attention of his daughter’s best “friend.”

American Beauty is an unnerving film even if its effect is not immediately noticeable. It is a film that has the ability, and in a way the responsibility, to challenge our accepted beliefs. So many films re-iterate the same ideals of success and the importance of image and the infatuation and inability to cope without commodities and possessions. We can only really grow if we know what we are growing from and without films that point this out to us how are we to know?